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He explained: “It truly did.
That was a very challenging journey at times.”
The composer revealed: “I would say the scene at Fuller Lodge was the toughest.
It was very challenging.
I had to go to some difficult places to make a run at capture that.”
Chris gave me that early on to work into the score and I loved working closely with sound design.
It’s the first time in the film where you really see the physical bomb.
Its just such a pleasure to work with him and I couldnt be more happy.
Id always say yes to working with him - within a heartbeat for sure.
Hes different to others.
Goransson is currently nominated for both a BAFTA and an Oscar for his work on Oppenheimer.
For the full interview with the composer, listen to the latest episode of theInside Total Film podcast.
