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But which of them are actually the greatest of all time?
Nancy Archer (Attack of the 50 Foot Woman)
Hell hath no fury like a giant woman scorned.
Bruno Antony (Strangers on a Train)
You never really know who you might meet on a train.
You dont have to like him, you dont even have to respect him.
But you cant deny what men like him are capable of.
The Blob (The Blob)
It, whatever it is, is unstoppable.
It swallows and absorbs all organic matter, and its coming for you.
In The Blob, a mysterious and gooey substance of alien origin overruns a small town.
One might see nothing more than a hunk of gelatin.
(you’re able to imagine what problems play out from there.)
But that doesnt make him uninteresting.
Thats in spite of the movie boasting plentiful subtext coding her as a lesbian.
They only hope to do it all before its too late.
Norma Desmond (Sunset Boulevard)
Shes here for you, all you wonderful people in the dark.
Captain Hook (Peter Pan)
you might already hear thetick-tockof an approaching crocodile, cant you?
Mifune has indeed played so many samurai.
But the one that closely resembles the mythic Shakespeare anti-hero is the one that deserves utmost recognition.
But beyond the plot twist is what the altered personalitymeans.
(Technically they both arent, but just go with it.)
Shane is a drifter, a laconic gunman forged from our collective memories for such heroes.
Maleficent (Sleeping Beauty)
Forget wicked queens and magical talking mirrors on the wall.
Maleficent, the self-proclaimed Mistress of All Evil, knows where true power lies.
Jeffries (Rear Window)
The man knows what he sees, even if he didnt actually see it.
