The Shrouds had its world premiere at the Cannes Film Festival.

Here’s our review.

In tranquil surroundings, Karsh has founded a restaurant with an adjoining high-tech cemetery.

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A rather uninvolving conspiracy plot doesnt exactly help matters, nor the drably efficient visual palette.

(DoP Douglas Koch also lensed Crimes of the Future.)

At least Kruger gets to show range with her dual performance, demonstrating what an underrated talent she is.

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But as a Cronenberg film, The Shrouds is unlikely to trouble anyones list of his best films.

The Shrouds' release date is currently TBC.

For more from Cannes, here’s ourMegalopolis reviewand ourThe Substance review.

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